Of course, if you don't like
tea...

That's if you'd drink
anything offered to you by this party host!
Anyway, today, I'd like to introduce you to a more benign - but no less strange - account of that famous mad tea party from Jonathan Millers' 1966 TV film,
Alice in Wonderland...

This
avant-garde production was shot in crisp monotone of a nineteenth-century
Daguerreotype and was informed by
the satirical sensibility of Miller's co-written cult 'sixties revue,
Beyond the Fringe. Indeed, the film featured two of Miller's
BTF co-stars, Peter Cook and Alan Bennett along with such starry names as Peter Sellers, Michael Redgrave, Finlay Currie, Alison Leggatt and John Gielgud playing Lewis Carroll's
Wonderlanders without the aid of fur and whiskers as if they were merely Alice's eccentric Victorian relations.
I still vividly remember the controversy that raged in the press about the production ("Alice strictly for grown-ups...") and the huge excitement that I felt at seeing something that was so radically revisionist.
Wilfred
Brambell (the father in
Steptoe and Son) was a fiercely intimidating White Rabbit...

Leo
McKern (later the eponymous
Rumpole of the Bailey) was a boozy Duchess-cum-Nanny...

...and Gielgud as the Mock Turtle, accompanied by an unlikely
Gryphon in the person of media pundit, Malcolm
Muggeridge, danced a version of 'The Lobster Quadrille' that provided one of the decade's oddest and yet most hauntingly poignant television moments...

Anyway, back to that mad tea-party: here Alice (played by the hitherto unknown Anne-Marie
Mallik) spends a bemusing afternoon in the company of the Hatter (Peter Cook), the March Hare (Michael
Gough) and the Dormouse (Wilfred Lawson). The music - as is fitting for such a totally 'sixties offering - was by Ravi
Shankar...
If you've never seen this extraordinary interpretation of
Alice, it's currently available on a DVD issued by the British Film Institute as is Jonathan Miller's other brilliantly directed TV play,
Whistle and I'll Come to You, based on the ghost story by M R James and featuring an unforgettable performance by Michael
Hordern: two period masterpieces that shouldn't be missed...