Showing posts with label Easter. Show all posts
Showing posts with label Easter. Show all posts

Monday, 1 April 2024

EASTER IN MOOMINLAND

Along with one of my Easter Eggs yesterday came this delightful little button badge featuring Moominpappa, ever-reliable paterfamilias of Tove Jansson's Moomins and their extended family. [Many thanks S&R!]. 

 

This provides me with an opportunity to display a quartet of original Easter illustrations by Tove. Made in 1950, these illustrations were created using a mixed technique of ink, watercolor, and gouache and were later featured on postcards and sold at the department store Stockmann in Helsinki, Finland, during the spring of 1956. 

 


 

 

 

I ought, perhaps, to offer an explanation for the little witches flying by in the background to Snuffkin's scene of merry music-making. This from the website 'THIS IS FINLAND': 
 
Finnish Easter traditions mix religious references with customs related to the long-awaited arrival of spring. If you answer the door on the Sunday before Easter, you may be confronted by endearing little witches offering to bless your home in return for treats.
 
In the most popular family tradition, young children (especially girls) dress up as Easter witches, donning colourful old clothes and painting freckles on their faces. 'The little witches then go from door to door, bringing willow twigs decorated with colourful feathers and crepe paper as blessings to drive away evil spirits, in return for treats,' says children’s culture expert Reeli Karimäki of the Pessi Children’s Art Centre in Vantaa, just north of Helsinki.
 
Like many Finnish householders, Karimäki keeps a basket of small chocolate Easter eggs ready by the door to pay off the marauding witches. Other families reward them with sweets or small change – or keep their front doors resolutely closed.
 
The witches recite a traditional rhyme at the door: Virvon, varvon, tuoreeks terveeks, tulevaks vuodeks; vitsa sulle, palkka mulle! (In translation: 'I wave a twig for a fresh and healthy year ahead; a twig for you, a treat for me!')
 
'This Finnish children’s custom interestingly mixes two older traditions – a Russian Orthodox ritual where birch twigs originally represented the palms laid down when Jesus entered Jerusalem on Palm Sunday; and a Swedish and Western Finnish tradition in which children made fun of earlier fears that evil witches could be about on Easter Saturday,' explains Karimäki.
 
To this day, the little witches are more likely to roam on Easter Saturday in western Finland, but on Palm Sunday in other regions.
 
Karimäki adds that, as Easter approaches, Finnish children also plant grass seeds in shallow dishes of soil and place birch twigs in vases of water, and watch eagerly for green shoots and 'mouse-ear' buds to appear symbolising the springtime reawakening of life. Easter eggs and Easter bunnies – both pre-Christian symbols of fertility – also abound in Finland, though these are more recent cultural imports.
 
To read more about a Finnish Easter – Passion Plays, Church celebrations, bonfires and seasonal cuisine, CLICK HERE

Sunday, 31 March 2024

CROSSED EGGS


 [Photo: Brian Sibley]

Friday, 29 March 2024

GOOD FRIDAY

“He was the boy I had given birth to and he was more defenceless now than he had been then.”
 
― Colm Tóibín, The Testament of Mary: A Novel (2012)
 
[Photo: Brian Sibley]

Saturday, 23 March 2024

EASTER TIMES PAST

 
 
It's Eastertide and Radio Times magazine has just unveiled the cover-art for its Easter 2024 Issue. The work of Dawn Cooper, it comprises a bunny, a bird (a red-breasted swallow?), spring flowers and, obviously, a few eggs. What could be nicer? They are, of course, all part of the traditional tropes and trappings of the season, but it sent me off in search of how Radio Times marked Easter in days gone by.
 
For five decades, like a number of other weekly magazines, Radio Times employed artists noted for their skill at working with woodcuts and pen-and-ink illustration and allowed them the time and space to create lavish pieces of decorative art that – for what was nothing more than an ephemeral publication – are astonishing in their unrivaled detail, story-telling and arresting imagery.
 
Many Easter issues of Radio Times contained interior artwork presenting classic or newly-created depictions of the Passion, but the covers – unsurprisingly, perhaps – mostly comprised intensely rural, village-centric scenes from some of the finest illustrators of the age – in all of which the church was either a central feature or at very least an integral element of the design. It may be hard to believe, my children, but that is how it was in Britain during those early All-Things-Bright-and-Beautiful years of the Twentieth Century.
 
 
 
Easter 1934 - John Austen (1886-1948)
 
 

 Easter 1948 - J. S. Goodall (1908-1996)
 

 
Easter 1949 - [Unidentified artist] 
 
 
 
Easter 1950 - Robin Jacques (1920-1995)

 Easter 1951 - C. F. Tunnicliffe (1901-1979) 

 

Easter 1952 - S. R. Badmin (1906-1989)

 

 

Easter 1954 - S. R. Badmin (1906-1989)

Wednesday, 14 February 2024

LENTEN DAYS

It's Lent!  So, here's a little Easter book for the kids...

 
 
 
(Not quite a follow up to The Fall of Númenor – but, occasionally, I can still be unpredictable!)

Sunday, 4 April 2021

FORGET THE EGGS – HAND ROUND THE EASTER CAKE!

 

Today we'll be observing another ancient custom with a slice of Simnel cake.

 


The name 'simnel' comes from simila, the Latin word for fine, wheaten flour, and it is a fruit cake – not unlike a Christmas cake – covered in a thick coating of marzipan and, sometimes, with another layer of marzipan or almond paste baked into the middle of the cake. Yummy!

The cake is decorated, around the top, with eleven marzipan balls representing the true disciples of Jesus (Judas being excluded) and, in some cases, with single, larger, ball of marzipan placed in the centre of the cake to represent Christ. Today, they could well feature a few fluffy chicks and be dotted with mini-chocolate eggs, but there are many kinds of variations on the Simnel cake tradition.

Although the cake is now an Easter treat (and, so, is often just called 'Easter Cake'), but in the 18th and 19th Centuries, it was associated with Mothering Sunday (or, as we now more commonly refer to it, 'Mother's Day') which falls a few weeks earlier than Easter, on the fourth Sunday in Lent – a day which has been known by many other old names, among them 'Refreshment Sunday' so called because it was marked by a relaxation of the Lenten fast and was the day in the year when people made the pilgrimage to their 'mother church' where they had received the sacrament of baptism. 

Since it was often the same church as the one in which their family had been baptized, it meant that children who were working away from home as domestic servants or apprentices, had an opportunity to be with their parents and pay their respects to their earthly – along with their spiritual – mother. Many girls working as maids and kitchen staff in the 'big houses' would often take their mothers a homemade Simnel cake, baked in their employers' kitchens.

Lesson over; now, just cut a slice –– and tuck in!

Friday, 2 April 2021

WHAT'S GOOD ABOUT GOOD FRIDAY?

 

My old granny used to say, "I don't know why they call it Good Friday! Hardly good for Jesus, was it?"

Well, that's the subject for a sermon and I am no preacher. But whatever your beliefs, the Christian allegory of death and resurrection represented by the cross and the empty tomb remains an eternal, universal and life-enhancing symbol of hope...


 

My granny also believed that Good Friday was the day on which one could plant something in your garden with the sure and certain expectation that it would grow and blossom.

I've always remembered this piece of folklore and, every Good Friday, have wondered at its origin. Thanks to Google, I've found the answer... or, rather... answers!

* Good Friday was thought to be a good day for planting seeds inspired by interpreting the Parable of the Sower, in which seeds needs to be planted in the ground in order to bear fruit, as a metaphor for Jesus' death and burial on this day.

* Gardeners and farmers considered Good Friday to be the best day of planting peas, potatoes and parsley because it was the only day of the year when the devil was believed to be powerless. Parsley is notoriously slow to germinate, and very often gardeners would make three sowings - two for the devil and one for the gardener - before getting a crop to come up. They even poured boiling water over the soil before planting to deter the devil and that technique may have actually helped, since parsley germinates faster in warmer soils.

* There was probably also the practical reason for working in the garden on Good Friday in that men were free to work for their own benefit. However, this was not true everywhere; in North Yorkshire in the 1860s, "great care (was) taken not to disturb the earth in any way; it were impious to use spade, plough or harrow… a villager… shocked his neighbours by planting potatoes on Good Friday, but they never came up."

* Many people in the upper Midwest of the USA religiously planted their potato crop on a Good Friday - even when Easter came early and they had to chop their way through icy soil in order to do so!

* Some people believe that the moon phases were important to the planting of crops and that potatoes thrive if planted under a full moon and there is always a full moon on Good Friday, or a few days before, or the Saturday/Sunday afterwards.


So, there you are (true or not) and whether you're gardening (or not) may your day today be a good Good Friday!

Sunday, 1 April 2018

EASTER DAY


St John the Divine, Kennington, London
[Photo: © Brian Sibley, 2009]

Sunday, 16 April 2017

EASTER IN MOOMINLAND

Charming vintage (1940s) Easter paintings by Tove Jansson...





Visit the official Moomin website

EASTER LIGHT



[Photo: Brian Sibley]

Friday, 14 April 2017

Good Friday


[The Kelham Rood in St John the Divine, Kennington. Photo: Brian Sibley]

Sunday, 27 March 2016

EASTER LIGHT!


"The people that walked in darkness have seen a great light: they that dwell in the land of the shadow of death, upon them hath the light shined."

 – The Prophecy of Isaiah, Chapter 9, Verse 2

And when the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, had bought sweet spices, that they might come and anoint him.
And very early in the morning the first day of the week, they came unto the sepulchre at the rising of the sun.
And they said among themselves, Who shall roll us away the stone from the door of the sepulchre?
And when they looked, they saw that the stone was rolled away: for it was very great.
And entering into the sepulchre, they saw a young man sitting on the right side, clothed in a long white garment; and they were affrighted.
And he saith unto them, Be not affrighted: Ye seek Jesus of Nazareth, which was crucified: he is risen; he is not here: behold the place where they laid him.

– The Gospel of St Mark, Chapter 16, Verses 1-6

[Photo: Window in St John the Divine, Kennington, © Brian Sible, 2012]

Thursday, 24 March 2016

A NEW TAKE ON AN OLD STORY

Here, by way of a little Easter surprise, is a rather unusual retelling of the greatest story ever told–––

THE WOODLAND GOSPELS 
(According to Captain Beaky and His Band)

Jeremy Lloyd's The Woodland Gospels dramatised for Radio by Brian Sibley 

Starring David Langton as Artful Owl, Jeremy Lloyd as Captain Beaky,
Clive Swift as Timid Toad, Nigel Davenport as Reckless Rat, 
Beryl Reid as Batty Bat and Leslie Phillips as Hissing Sid

The programme, produced by Graham Gauld and directed by John Forrest.
was first broadcast on BBC Radio 4 on 23 December 1984 at 18:15



Wednesday, 23 March 2016

EGGSCRUCIATINGLY YOURS!

What better way to celebrate the forthcoming festivities in praise of chocolate than to send you a batch of eggstremely weird vintage Easter cards?

You have been warned...


















What can I possibly add, other than to wish you...


Sunday, 5 April 2015

VICTORY IN DEFEAT

Remember Jesus of Nazareth, staggering on broken feet out of the tomb toward the Resurrection, bearing on his body the proud insignia of the defeat which is victory, the magnificent defeat of the human soul at the hands of God.
– Frederick Buechner, The Magnificent Defeat

Photo: 12th century mosaics in Basilica San Marco, Venice; Brian Sibley © 2015

Friday, 3 April 2015

THE LONG GOOD FRIDAY

 
The Rood [Cross] of Christ speaks:
“It was long past – I still remember it – That I was cut down at the copse’s end,
Moved from my root. Strong enemies there took me,
Told me to hold aloft their criminals,
Made me a spectacle. Men carried me
Upon their shoulders, set me on a hill,
A host of enemies there fastened me.
“And then I saw the Lord of all mankind
Hasten with eager zeal that He might mount
Upon me. I durst not against God’s word
Bend down or break, when I saw tremble all
The surface of the earth. Although I might
Have struck down all the foes, yet stood I fast.
“Then the young hero (who was God almighty)
Got ready, resolute and strong in heart.
He climbed onto the lofty gallows-tree,
Bold in the sight of many watching men,
When He intended to redeem mankind.
I trembled as the warrior embraced me.
But still I dared not bend down to the earth,
Fall to the ground. Upright I had to stand.
“A rood I was raised up; and I held high
The noble King, the Lord of heaven above.
I dared not stoop. They pierced me with dark nails;
The scars can still be clearly seen on me,

The open wounds of malice. Yet might I
Not harm them. They reviled us both together.
I was made wet all over with the blood
Which poured out from his side, after He had
Sent forth His spirit. And I underwent
Full many a dire experience on that hill.
I saw the God of hosts stretched grimly out.
Darkness covered the Ruler’s corpse with clouds
His shining beauty; shadows passed across,
Black in the darkness. All creation wept,
Bewailed the King’s death; Christ was on the cross….
“Now you may understand, dear warrior,
That I have suffered deeds of wicked men
And grievous sorrows. Now the time has come
That far and wide on earth men honor me,
And all this great and glorious creation,
And to this beacon offers prayers. On me
The Son of God once suffered; therefore now
I tower mighty underneath the heavens,
And I may heal all those in awe of me.
Once I became the cruelest of tortures,
Most hateful to all nations, till the time
I opened the right way of life for men.”



From The Dream of the Rood
Translated by Richard Hammer (1970) from the 8th century Anglo-Saxon, this is the earliest Christian poem in English
Photo: 12th century mosaics in Basilica San Marco, Venice; Brian Sibley © 2015

Monday, 21 April 2014

CRACKERS? BONKERS!

Easter takes one hop nearer to its inevitable Christmasization...


Along with yellow paper crowns there were 'mottoes' with eggs-cruciating punning jokes (or, I should say, 'yolkes') such as...

Q: How does a soggy bunny get dry?
A: He uses a hare dryer!

Now, I bet that really cracked you up!

Some, people, it should be noted, really enjoyed them – as you can see from buttons' blog!

Sunday, 20 April 2014

HE IS RISEN INDEED


Stained glass window in Honor Oak Crematorium, London
Photo: David Weeks

Saturday, 19 April 2014

EASTER EVE


Click image to enlarge

Stained glass window by W T Carter Shapland in St John the Divine, Kennington, South-east London

Photographed by David Weeks © 2013

Friday, 18 April 2014

IT IS FINISHED


Click to enlarge

The Three Crosses – Etching and dry-point painting by Rembrandt van Rijn 

About the picture