MATCHLESS

In writing recently about Walt Disney's 1940 experimental masterpiece, Fantasia, and its much-delayed sequel, Fantasia 2000, I should also mention that Walt's nephew, the late Roy E Disney, attempted to get the studio to release a third Fantasia compilation in 2006.

The project was never realised, but among the pieces intended for inclusion were the Disney-Dali collaboration, Destino and a sequence inspired by the Hans Christian Andersen story, The Little Match Girl, but with the setting transferred from Denmark to Russia and accompanied by the Third Movement of Alexander Borodin's String Quartet No 2 in D Minor.

Adapted and directed by Roger Allers – who worked on the Disney version of another Andersen story, The Little Mermaid, as well as Beauty and the Beast and The Lion King – this is a beautiful little film that perfectly captures Andersen's hauntingly melancholic style.

It is also a story well suited to December days especially as, once again, the Great Freeze begins to tighten its grip...

WATER, WATER EVERYWHERE...

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"'But where do the people walk?'
inquired I of my gondolier."

- Hans Christian Andersen

STREETS FULL OF WATER.
PLEASE ADVISE.

- Robert Benchley
in a telegram to his editor at The New Yorker

***

And speaking of the need for gondolas, here's a photo of a famous gondola-passenger - Walt Disney - with his wife, Lilian, and youngest daughter, Sharon, being ferried up the Grand Canal in 1951, when Walt was attending the Venice International Film Festival.

They are passing what is now the Bauer Hotel (a stone's throw from our apartment), possibly on their way either from the celebrated Hotel Danelli or en route to the equally famous Hotel Gritti Palace...


This photo is really fascinating because - from the presence of the suitcases behind the passengers - it is clear that when it was taken (almost sixty years ago) gondolas were still being used as taxis, taking people wherever they required to go in the city, rather than - as now - as a mere tourist attraction following a site-seeing circuit...

I was just imagining asking one of the gondoliers who have a station behind our apartment if they'd take me to the hospital for my appointment this morning!

Images: David Weeks & Brian Sibley © 2006/8; photo of Walt in Venice from Michael Barrier.


For more Venice imagery, visit my website to view the album Venice Observed and then follow the links at the foot of that page to three further albums of photographs.

FROSTY RECEPTIONS

Wandering down Piccadilly the other day, I stopped off - as I always do at this time of the year - to admire the windows of Fortnum & Mason's emporium...

This year, the tableaux tells Hans Christian Andersen's The Snow Queen...

"The flake of snow grew larger and larger; and at last it was like a young lady, dressed in the finest white gauze, made of a million little flakes like stars.

She was so beautiful and delicate, but she was of ice, of dazzling, sparkling ice; yet she lived; her eyes gazed fixedly, like two stars; but there was neither quiet nor repose in them. She nodded towards the window, and beckoned with her hand..."

One of the windows shows the Snow Queen in her sledge riding across the skies carrying off the young boy, Kay, to her icy castle in the North...

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The snow-flakes grew larger and larger, till at last they looked just like great white fowls. Suddenly they flew on one side; the large sledge stopped, and the person who drove rose up. It was a lady; her cloak and cap were of snow.

She was tall and of slender figure, and of a dazzling whiteness. It was the Snow Queen.

"We have travelled fast," said she; "but it is freezingly cold. Come under my bearskin."

And she put him in the sledge beside her, wrapped the fur round him, and he felt as though he were sinking in a snow-wreath.

Which always reminds me of another encounter - that between Edmund and the White Witch in C S Lewis' The Lion, the Witch and the Wardrobe...

"My poor child," she said... "how cold you look! Come and sit with me here on my sledge and I will put my mantle round you and we will talk."

Edmund did not like this arrangement at all but he dared not disobey; he stepped on to the sledge and sat at her feet, and she put a fold of her fur mantle round him and tucked it well in.

Hans Christian Andersen's Sneedronningen was first published in 1845 and C S Lewis' The Lion, the Witch and the Wardrobe, 105 years later, in 1950.

The Snow Queen and the White Witch are clearly kindred spirits and although they have sinisterly chilly designs on the boys Kay and Edmund, their frosty machinations are happily frustrated - in the Andersen story by the determination of Kay's young friend Gerda...

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...while in the Lewis book by the love of Edmund's brother and sisters and the intervention of Aslan.

Still, if any of you happen to meet any icy-looking women (especially in Fortnum & Mason's sweet department where they undoubtedly sell that speciality of the White Witch - Turkish Delight) be on your guard...

You can read the whole of Andersen's Snow Queen on The Literature Network.

And you'll find some more Snow Queen windows on my companion blog, Window Gazing.


And when you've done all that, you can - if you wish - check out last year's F&M windows that were devoted to the seasonal song, 'The Twelve Days of Christmas'.

Images: The White Witch by Pauline Baynes; Fortnum & Mason's windows © Brian Sibley 2008