Showing posts with label royalty. Show all posts
Showing posts with label royalty. Show all posts

Saturday, 6 May 2023

CORONATION TIMES

In 1953, the BBC's official magazine, Radio Times, marked the Coronation of Queen Elizabeth II with an ornately-decorated cover by Eric Fraser, one of Great Masters of line illustration and a regular contributor to the pages of Radio Times, specializing in creating arresting illustrations for audio broadcasts among them productions of Shakespeare's plays, poetry, religious and philosophical topics as well many of the world's most celebrated classics – including towards the end of his career, the BBC's 1981 dramatisation of The Lord of the Rings. 

Eric Fraser's cover for the Queen's Coronation features traditional heraldic imagery and is a masterpiece of elegant design...

 


Seventy years on, the current issue of Radio Times marks the Coronation of King Charles III with a design by Peter Horridge clearly is an homage to Fraser in that he  uses the same heraldic beasts but which, nevertheless, is much planer, although equally elegant. 

Peter is a designer and illustrator with a great gift for calligraphy and calligraphic design. To my mind, this image, with its lightness and airiness, manages to sensitively unite the archaic traditions of ceremonial with the King's desire to be viewed as a 'modern monarch'. The incorporation of a window and, below, arches suggests the venue for the Coronation, Westminster Abbey...

 


Peter Horridge was also responsible for the rather more formalized image (well, actually, a logo) created as a symbol of the Coronation as a participant in the creative collective of Sir Jony Ive's LoveFrom, [Note: One word, two caps and a terminal comma].


 

This was one of several Royal commissions, others include the seal of Terra Carta launched by the former Prince of Wales at COP26 in 2021 as a mandate that puts sustainability at the heart of the private sector. 

 


Here's a further glimpse of some of Peter Horridge's other designs. You will find many more by exploring the Portfolio on his website.





 

 

 

 
 
 

 

POST-SCRIPT: At the time of writing this blog post I was unaware that Peter Horridge had written about his commission to design the Radio Times cover for the Coronation issue. I'm pleased that I wasn't entirely amiss in comparing his cover with that created 70 years ago by Eric Fraser...


 

Friday, 5 May 2023

"UNEASY LIES THE HEAD..."

'The Execution of King Charles the First - Execution of King Charles I, artist unknown

[Click on images to enlarge] 

 

“I go from a corruptible to an incorruptible Crown, where no disturbance can be, no disturbance in the World.”

The words of King Charles I, spoken on the scaffold outside the Banqueting Hall on Whitehall, London, on the day of his execution, Tuesday 30 January 1649

 

The details of the day's grim happenings and a full transcript of King's speech (which had been recorded in shorthand) were memorialised in a number of popularly published pamphlets, such as King Charls his speech made upon the scaffold… 

 


The publisher, Peter Cole, rushed to register his pamphlet with the Stationers’ Company on 31 January 1649, the day immediately following the execution, so as to take advantage of a market eager for accounts of the king’s final hours. So speedily was the pamphlet rushed into print that no one noticed that the date of the event was erroneously given as being in January 1648!

Although many members of the public had attended the execution, the distance between the crowd and and scaffold plus an icy winter wind had prevented all but a few from hearing any of his words, something which Charles comments upon in the published speech: ‘I shall be very little heard of anybody here…’.  However, thanks to Bishop William Juxon, who recorded his words in shorthand, and through the published pamphlet, the King was heard as he finally answered the charges that had been brought against him at his trial in the Great Hall at Westminster, wishing ‘to clear myself both as an honest man, and a good King, and a good Christian’.

Here, with astonishing immediacy, is an eyewitness account of the regicide as Londoners would have read it within 24 hours its happening...


KING CHARLS
HIS
SPEECH

Made upon the
SCAFFOLD
At Whitehall-Gate,

Immediately before his Execution,
On Tuesday the 30 of Ian. 1648

VVith a Relation of the maner of
his going to Execution

Published by Special Authority.

London:
Printed by Peter Cole, at the sign of the
Printing-Press in Cornhil, near the
Royal Exchange. 1649.


 

About ten in the Morning the King was brought from St. James's, walking on foot through the Park, with a Regiment of Foot, part before and part behind him, with Colours flying, Drums beating, his private Guard of Partizans with some of his Gentlemen before and some behind bareheaded, D. J U X O N next behind him and Col. Thomlinson (who had the charge of him) talking with the King bareheaded from the Park, up the stairs into the Gallery, and so into the Cabinet-Chamber where he used to lie, where he continued at his Devotion, refusing to dine, (having before taken the Sacrament) only about an hour before he came forth, he drank a glass of Claret wine, and eat a piece of bread about twelve at noon.

 

(It is observed the King desired to have the use of the cabinet and the little room next it where there was a trap door.)

 

From thence he was accompanied by Dr. Juxon, Col. Thomlinson and other officers formerly appointed to attend him and the private guard of partizans, with musketeers on each side, through the Banqueting house adjoining to which the scaffold was erected between Whitehall Gate and the Gate leading into the gallery from St. James's: The Scaffold was hung round with black and the floor covered with black and the Ax and Block laid in the middle of the Scaffold. There were divers companies of Foot, and Troops of Horse placed on the one side of the Scaffold towards Kings-Street and on the other side towards Charing Cross, and the multitudes of people that came to be Spectators, very great.

 

The King being come upon the Scaffold, look'd very earnestly upon the Block and ask'd Col. Hacker if there were no higher; and then spake thus (directing his speech chiefly to Col: Thomlinson).

 

King. I shall be very little heard of anybody here, I shall therefore speak a word unto you here. Indeed I could hold my peace very well, if I did not think that holding my peace would make some men think that I did submit to the guilt as well as to the punishment. But I think it is my duty to God first and to my country for to clear myself both as an honest man and a good King, and a good Christian. I shall begin first with my innocence. In troth I think it not very needful for me to insist long upon this, for all the world knows that I never did begin a War with the two Houses of Parliament. And I call God to witness, to whom I must shortly make an account, that I never did intend for to encroach upon their privileges. They began upon me, it is the Militia they began upon, they confest that the Militia was mine, but they thought it fit for to have it from me. And, to be short, if any body will look to the dates of Commissions, of their commissions and mine, and likewise to the Declarations, will see clearly that they began these unhappy troubles, not I. So that as the guilt of these enormous crimes that are laid against me I hope in God that God will clear me of it, I will not, I am in charity. God forbid that I should lay it upon the two Houses of Parliament; there is no necessity of either, I hope that they are free of this guilt; for I do believe that ill instruments between them and me has been the chief cause of all this bloodshed; so that by way of speaking, as I finde my self clear of this, I hope (and pray God) that they may too; yet for all this, God forbid that I should be so ill a Christian as not to say that Gods Judgments are just upon me. Many times he does pay Justice by an unjust Sentence, that is ordinary; I will onely say this, That an unjust Sentence (Strafford) that I suffered for to take effect, is punished now by an unjust Sentence upon me; that is, so far as I have said, to shew you that I am an innocent man.

 

Now for to shew you that I am a good Christian; I hope there is (pointing to D. Juxon) a good man that will bear me witness that I have forgiven all the world, and even those in particular that have been the chief causes of my death. Who they are, God knows, I do not desire to know, God forgive them. But this is not all, my charity must go further. I wish that they may repent, for indeed they have committed a great sin in that particular. I pray God, with St. Stephen, that this be not laid to their charge. Nay, not only so, but that they may take the right way to the peace of the kingdom, for my charity commands me not only to forgive particular men, but my charity commands me to endeavour to the last gasp the Peace of the Kingdom. So, Sirs, I do wish with all my soul, and I do hope there is some here (turning to some gentlemen that wrote) that will carry it further, that they may endeavour the peace of the Kingdom. Now, (Sirs) I must show you both how you are out of the way and will put you in a way; first, you are out of the way, for certainly all the way you have ever had yet, as I could find by anything, is by way of conquest. Certainly this is an ill way, for Conquest, (Sir) in my opinion, is never just, except that there be a good just Cause, either for matter of wrong or just Title, and then if you go beyond it, the first quarrel that you have to it, that makes it unjust at the end that was just at the first: But if it be only matter of Conquest, there is a great Robbery; as a Pirat said to Alexander, that He was the great Robber, he was but a petty Robber: and so, Sir, I do think the way that you are in, is much out of the way. Now Sir, for to put you in the way, believe it you will never do right, nor God will never prosper you, until you give God his due, the King his due (that is, my Successors) and the People their due; I am as much for them as any of you: You must give God his due by regulating rightly His Church (according to the Scripture) which is now out of order. For to set you in a way particularly now I cannot, but onely this. A national synod freely called, freely debating among themselves, must settle this, when that every opinion is freely and clearly heard.

 

For the King, indeed I will not, (then turning to a Gentlemen that touched the Ax, said, Hurt not the Ax, that may hurt me) [meaning if he did blunt the edg] For the King:) The Laws of the Land will clearly instruct you for that; therefore, because it concerns My Own particular, I onely give you a touch of it.

 

For the people. And truly I desire their Liberty and Freedom as much as any Body whomsoever. But I must tell you, That their Liberty and Freedom, consists in having of Government; those Laws, by which their Life and their gGods may be most their own. It is not for having share in government (Sir) that [9/10] is nothing pertaining to them. A subject and a soveraign are clean different things, and therefore until they do that, I mean, that you do put the people in that liberty as I say, certainly they will never enjoy themselves.

 

Sirs, It was for this that now I Am come here. If I would have given way to an Arbitrary way, for to have all Laws changed according to the power of the Sword, I needed not to have come here; and therefore, I tell you, (and I pray God it be not laid to your charge) That I Am the Martyr of the People.

 

Introth, Sirs, I shall not hold you much longer, for I will only say thus to you. That in truth I could have desired some little time longer, because I would have put then that I have said in a little more order, and a little better digested than I have done. And, therefore, I hope that you will excuse Me.

I have delivered my Conscience. I pray God, that you do take those courses that are best for the good of the Kingdom and your own Salvations.

 

Dr. Juxon.

Will Your Majesty (though it may be very well known Your Majesties Affections to Religion, yet it may be expected, that You should) say somewhat for the Worlds satisfaction.

 

King,

I thank you very heartily (my Lord) for that, I had almost forgotten it. Introth, Sirs, My Conscience in Religion, I think, is very well knowne to all the World; and, therefore, I declare before you all that I die a Christian, according to the profession of the Church of ENGLAND, as I found it left me by my father. And this honest man [pointing to Dr. Juxon] I think will witness it. Then turning to the Officers said, Sirs, excuse me for this same. I have a good Cause, and I have a gracious God; I will say no more. Then turning to Colonel Hacker, he said, Take care that they do not put Me to pain, and Sir this, and it please you: But then a Gentleman coming near the Ax, the King said, Take heed of the Ax. Pray take heed of the Ax.

 

Then the King, speaking to the Executioner said, I shall say but very short Prayers, and when I thrust out my hands... Then the King called to Dr. Juxon for His Night-Cap, and having put it on said to the Executioner, Does My Hair trouble you? Who desired Him to put it all under His Cap, which the King did accordingly, by the help of the Executioner and the Bishop: then the King turning to Dr. Juxon said, I have a good Cause, and a gracious GOD on my side.

 

Doctor Juxon.

There is but one Stage more. This Stage is turbulent and troublesome; it is a short one: But You may consider it will soon carry You a very great way; it will carry You from Earth to Heaven; and there you shall finde a great deal of Cordial, Joy, and Comfort.

 

King

I go from a corruptible, to an incorruptible Crown; where no disturbance can be, no disturbance in the World.

 

Doctor Juxon.

You are exchanged from a Temporal to an eternal Crown; a good exchange.

 

The King then said to the Executioner, is My Hair well: Then the King took off His Cloak and His George, giving His George to Dr. Juxon, saying, Remember„. (It is thought for to give it to the Prince.) Then the King put off His Dublet and being in His Wastecoat, put His Cloak on again; then looking upon the block, said to the Executioner, You must set it fast.

 

Executioner. It is fast Sir.

 

King. It might have been a little higher.

 

Executioner. It can be no higher Sir.

 

King. When I put out my hands this way (Stretching them out) then...

 

After having said two or three words (as he stood) to Himself with hands and eyes lift up. Immediately stooping down, laid His Neck on the Block: And then the Executioner again putting his Hair under his Cap, the King said, Stay for the signe. (Thinking he had been going to strike)

 

Executioner. Yes, I will, and it please Your Majesty.

 

And after a very little pawse, the King stretching forth his hands, The Executioner at one blow, severed his head from his Body.

 

That when the Kings head was cut off, the Executioner held it up, and shewed it to the Spectators.

 

And his Body was put in a Coffin, covered with black Velvet, for that purpose.

 

The Kings body now lies in His Lodging Chamber at Whitehall.

 

Sic transit gloria mundi.

 

'The Execution of King Charles I' by Ernest Crofts RA, 1847-1911

 

[The low height of executioner's block had been determined lest the King had struggled and had need to be tied down. As the preceding account shows no such eventuality occurred and the King conducted himself with astonishing composure.]


'Funeral of Charles I, St George's Chapel, Windsor, 1649' by Ernest Crofts RA, 1847-1911

Wednesday, 3 May 2023

LONG LIVE KING MICKEY


 

To mark the Coronation of His Majesty King Charles III, the Disney Store in the UK have released a limited edition (only 2000 and only £14.00 a piece) 'Coronation Day' pin-badge featuring a monarchical Mickey Mouse costumed along the lines of his appearance in his 1990 film, The Prince and the Pauper. 

 


Unsurprisingly, this desirable little collectible sold out faster than the proverbial hot-cakes.

Interestingly, it's not the first time that Disney – at least in the UK – has taken the knee to the British Crown: 70 years ago this month, May 1953, Mickey Mouse Weekly celebrated the Coronation of Her Majesty Queen Elizabeth II with this cover illustration showing the progress of the Gold State Coach watched by a cheering, flag-waving crown including Mickey and the gang. 

 


And 16 years earlier, in May 1937, Mickey Mouse Weekly had a cover marking the Coronation of His Majesty King George VI with the Mouse and the Duck cheer-leading the celebrations with, again, a prominent presence of the Union flag – which (as is not always the case) is correctly displayed the right way up!


Saturday, 29 April 2023

"IS A PUZZLEMENT"

Just one week now until the Coronation of His Majesty King Charles III, and – look! – he's already gone to pieces!


[This Royal Puzzle is available from Wentworth Wooden Puzzles and the title to today's blog quotes one of the lyrics in Rodgers and Hammerstein's musical The King and I.]

Friday, 9 April 2021

Signed Books: PHILIP: AN INFORMAL BIOGRAHY by Basil Boothroyd

 

On the day when the media is obsessively (but quite understandably) focused on the life and times of the Prince Philip, Duke of Edinburgh, I reached for this book, published, fifty years ago, in 1971...

 


 

It's an uncommon book that has a front cover without a title – although Richard Wilson's affectionate caricature was doubtless more enough to identify the subject; but, if there any doubt, the title and author do appear on the back cover... 


 

Basil Boothroyd (1910-1988) was one of the wittiest writers and broadcasters of his era whose humorous pieces for the late-lamented Punch magazine were jewels among gems. He was a long-serving Assistant Editor on that magazine and was beloved by many others who worked at the difficult craft of creating seemingly-effortless humour. 

P G Wodehouse wrote of Boothroyd: There are very few humorists you can rely on to be funny every time. In fact I can think of only one. He is a writer of whom I never miss a word.

And a later Punch editor, Alan Coren recalled:

He was probably the most professional writer I have ever known; and consequently both the most self-punishing and the least self-satisfied. Few have worked harder to make a sentence right, or to conceal the effort that had made it so, few have truffled longer or deeper in our bottomless vocabulary for the one word which would corral the elusive thought, and very few indeed have sat like him, staring at a typed semi-colon for half an hour and deliberating whether or not a full colon might produce a more effective pause. Then coming back two hours later and making it a comma … It prevented him from writing novels: "I might spend the rest of my life," [he said] "re-polishing the first thousand words!"

Boothroyd was also an accomplished broadcaster: a past master at 'talking with' rather than 'speaking to' the listener and his radio series, The Small, Intricate Life of Gerald C Potter – given audio life by Ian Carmichael – was one of the joys of BBC radio comedy from the mid-'seventies until the early 'eighties.

What makes Boothroyd unique among 'Royal Biographers', is that he was personally invited to write the book by his subject, HRH being an admirer of the Boothroyd style. 

After spending a year accompanying the Prince on his duties – with plenty of interview opportunities and free access to Royal files and staff – the book is, as the title proclaims, an 'informal' biography. Nevertheless, it is full of richly researched detail (did you know, for example, that Prince Philip's Passport number was '1', the Queen not having a passport?) and Boothroyd's reported conversations with the Prince are candid and entertaining. 

Today we've heard from a welter of 'Royal Authors and Observers', but if you're interested in a very real glimpse of the man who married the Queen, I'd recommend scouring ebay for a copy of Boothroyd's book.

Mine is a much-valued 'association copy': inscribed and signed by the author to fellow journalist whom I also admired: Allan Hargreaves (1935-2011), reporter, interviewer and presenter for Thames TV and Capital Radio and best-known for Thames' early evening programme, Today, with Eamonn Andrews and Bill Grundy on which programme he worked from day one in 1968 until 1982. 



A final quote from HRH back in the days when he'd only been Royal Consort for a mere eighteen years: 'I look at it as a job, and I imagine I do it at much the same pressure that I would do any other job.'

Somehow, I doubt that assessment changed much over the next fifty years.

Tuesday, 8 August 2017

WHO'S WHO?

Here's a puzzle for you: this photo is from a time when I was something of a mover and shaker – whereas, nowadays, I can scarcely move and, were I to shake, bits of me would probably fall off! Anyway, who are my luncheon companions? One's easy, the other a little more difficult.

Answer (with anecdote) below...


Not sure of the year (sometime early-1980s); the place: The Dorchester hotel; the event: The Society of Authors/Pye Radio Awards lunch.

I was Chair of the SOA Broadcasting Committee and (being also Chair of the Judges) had written the script for the MC of the ceremony, the noted British TV broadcaster, Mr (later Sir) Robin Day. I rehearsed Day during in the morning and he was characteristically brusque bordering on bloody rude.

The guest of honour was Princess Alexander and I was seated on the top table between HRH's husband, the Hon. Angus Ogilvy (he was still to be knighted at that point), and Aubrey Singer, then Managing Director of Radio at the BBC.

Robin Day had been seated towards the end of the table nearest to the podium he would use for the ceremony. Shortly before lunch, Day, was looking for his seat and was disgruntled to find where he had been placed. "I'll sit here," he announced, "next to Angus, we've known each other for years." Then picking up my place card, he said: "I'll change places with this chap Sibley; who's he anyway?"

"He's me," I replied, "we've been working together all morning."

"Well, you can change places, can't you?"

Before I could answer the boss of Pye stepped in and explained that that was NOT possible: Royal protocol meant that members of the Royal Family were briefed on who they would be sitting next to and those arrangements could not then be altered.

"Nonsense!" said Day. "Angus doesn't need briefing about ME!"

But Mr Pye was not for turning, so the frustrated Day picked up Aubrey Singer's name card and swapped it for his own. "Very well, then Singer will have to sit down the end!" And MD of Radio or not, so he did!

This photo was taken just as Robin Day leaned across me and said: "Something I've always wanted to know, Angus: what honour did the Queen offer you when you married the Princess? You've never revealed what it was or why you turned it down."

As Ogilvy was wondering what to reply (it was an Earldom he had rejected, by the way) , the Toastmaster called everyone to their feet for the National Anthem. As we rose, Angus Ogilvy whispered to me: "Saved by a Toastmaster!"

Thursday, 21 April 2016

HAPPY & GLORIOUS!

Loyal salutations to Her Majesty Queen Elizabeth II on her 90th Birthday!

Here's my favourite royal portrait by cartoonist Trog (Wally Fawkes), made shortly after Her Majesty had visited 'The Queen Vic' on the set of the BBC soap-opera, EASTENDERS...

Sunday, 2 June 2013

DIAMOND-CUT MEMORIES

Sixty years ago today, 2 June, 1953, I was a toddler attending a street party in honour of the fact that it was the day of Her Majesty Queen Elizabeth II's Coronation.

Here are a handful of commemorative souvenirs that – at the time – I was too young to appreciate, but which, six decades on, give me considerable delight for being so thoroughly British!

The Official Programme (Price 2/6) with black-and-white interior art by, I suspect, Eric Fraser...



...the front cover of the BBC's official publication,The Radio Times, unquestionably by Fraser...


...the cover and some pages from a booklet celebrating England's Queens, entitled Came the Fair Young Queen, published to mark the Coronation by the gentleman's clothiers, Moss Bros, with text by noted theatre critic, Eric Keown, and amazing illustrations by the wonderful (but now largely forgotten) illustrator, Anthony Groves-Raines...







And, finally, a poster by Guinness featuring the brewery's advertising animal menagerie that were so famous there was no need to display the name of the advertiser (beyond the ostrich-guzzled beer glass)...


Monday, 11 February 2013

PICK OF THE PIX: BEHIND BARS

Another favourite photo from my flicker photostream: police officers on duty outside Buckingham Palace...


© Brian Sibley, 2011

Saturday, 25 August 2012

GREEK GETAWAY

Following the recent publication of revealing photographs of Prince Harry losing his shirt (and pants) in a game of strip billiards in Las Vegas, we were surprised to discover that the Prince, in an attempt to avoid further embarrassing exposure, was holed up at our favourite summer vacation-spot – Emborios on the Greek island of Kalymnos – and was clearly taking a relaxed view of the the scandal in the popular Artistico taverna. In the absence of the world's paparazzi, His Royal Highness happily posed for David's camera...


Imagine our surprise when, later that evening, a further contingent of the Royal family turned up for an informal get-together with locals and tourists: Will and Kate...



...and the princes' grandparents...


Artistico's resident magical entertainer was especially honoured to be granted an audience: an anouncement of his appointment to the long-defunct post of Royal Jester is now awaited with anticipation...


Saturday, 30 June 2012

DO YOU THINK THE QUEEN...

...knows all about me?

Sure to, dear, but it's time for tea.



One of my favorite royal stories to surface during the recent Jubilee celebrations concerns the Queen Mum being escorted by Noël Coward who – rather too obviously – was taking stock of the uniformed guards standing around.

'I wouldn't if I were you, Noël,' said Her Majesty, 'they count them before they put them out!'


Image: Caricature of Noel Coward by Clive Francis

Tuesday, 5 June 2012

QUIZZICAL QUEENS: Who Was Who?

As the Diamond Jubilee weekend draws to a close, here are the answers to the Quizzical Queens Quiz.

How many golden sovereigns did you manage to amass?


"I may have the body of a weak and feeble woman. But I have the heart and stomach of a concrete elephant."

Queenie (Elizabeth I) in Blackadder II 
by Richard Curtis and Rowan Atkinson
BBC TV 1986
Pictured: Miranda Richardson

 

"The important thing is not what they think of me,
but what I think of them."

Queen Victoria (1819-1901)
Portrait: Tobo



"I'll give thee fairies to attend on thee,
And they shall fetch thee jewels from the deep,
And sing while thou on pressed flowers dost sleep..."

Titania in A Midsummer Night's Dream
by William Shakespeare
Illustration: Arthur Rackham



"Where do you come  from and where are you going? Look up, speak nicely, and don't twiddle your fingers all the time."

The Red Queen in  
Through the Looking-glass, and What Alice Found There by Lewis Carroll, 1872
Illustration: John Tenniel



"For six years, this year, and this, and this, and this, I did not love him. And then I did. Then I was his. I can count the days I was his in hundreds... The days we bedded. Married. Were Happy. Bore Elizabeth. Hated. Lusted. Bore a dead child... which condemned me... to death."

 Anne Boleyn in the play
 Anne of the Thousand Days
by Maxwell Anderson, 1948 
Pictured: Genevieve Bujold in the 1969 film



"You must learn, child, that what would be wrong for you or for any of the common people is not wrong in a great Queen such as I. The weight of the world is on our shoulders. We must be freed from all rules. Ours is a high and lonely destiny."

Jadis, Queen of Charn in
 The Magician's Nephew by C S Lewis, 1955
Illustration: Pauline Baynes


"The vengeance of Hell boils in my heart,
Death and despair flame about me!
If Sarastro does not through you feel
The pain of death,
Then you will be my daughter nevermore."

Queen of the Night in The Magic Flute
by Wolfgang Amadeus Mozart, 1791
Illustration: Maurice Sendak, 1981


"I've got the stuff that you want
I've got the thing that you need
I've got more than enough
to make you drop to your knee..."
 
'Queen of the Night', song by Whitney Houston , performed in the film, The Bodyguard, 1992
   

"You are a member of the British royal family.
We are never tired, and we all love hospitals."

Queen Mary of Teck (1867-1953)  
with the Princesses Margaret and Elizabeth



"The shaft's twisted like a corkscrew and there's a blade gone off the prop."

The African Queen, film (1951) starring
Katherine Hepburn and Humphrey Bogart,
caricature by Al Hirschfeld



"Come on, smile and wave. That's what you get paid for. Smile and wave."
  
Queen Charlotte in the play 
The Madness of George III
by Alan Bennett, 1991
Pictured: Nigel Hawthrone  and Helen Mirren in the 1993 film, The Madness of King George 



"I was a queen, and you took away my crown;
a wife, and you killed my husband;
a mother, and you deprived me of my children.
My blood alone remains: take it, but do not make me suffer long."

Marie Antoinettte (1755-1793)
Painting: William Hamilton, c. 1794



"I'm sure I'll take you with pleasure! Twopence a week, and jam every other day."

The White Queen in  
Through the Looking-glass and What Alice Found There by Lewis Carroll, 1872
Illustration: Helen Oxenbury, 2005 



"How small and selfish is sorrow. But it bangs one about until one is senseless."

Queen Elizabeth, the Queen Mother (1900-2002)
in a letter to Edith Sitwell following the death of KIng George VI
Caricature: Nicky Taylor



"And she gave the king an hundred and twenty talents of gold, and of spices very great store, and precious stones: there came no more such abundance of spices as these which –––––––– gave to –––––––."

The Queen of Sheba visiting King Solomon
in The Holy Bible ('The First Book of Kings')
Painting: Giovanni Demin



"She was so beautiful and delicate, but she was of ice, of dazzling, sparkling ice; yet she lived; her eyes gazed fixedly, like two stars;
but there was neither quiet nor repose in them."

The Snow Queen in the fairy-tale, Snedronninge,
by Hans Christian Andersen, 1845
Illustration: P J Lynch


"I would rather be a beggar and single than a queen and married."

Queen Elizabeth I (1533-1603)
Portrait: Artist Unknown



"On fire that glows
With heat intense
I turn the hose
Of common sense
And out it goes
At small expense!"


Queen of the Fairies in the operetta,
Iolanthe; or, The Peer and the Peri 
by W S Gilbert and Arthur Sullivan, 1882
Pictured: Marti Berg (left) as Iolanthe and Jean Ziaja as the Queen



"For you and for your heirs... on one condition.
Do not fade. Do not wither. Do not grow old."


Queen Elizabeth I in the 1992 film version of Virginia Woolf's novel, Orlando: A Biography
Pictured: Quentin Crisp (a Queen in his own right!) as Elizabeth




"She is the fairies' midwife, and she comes
In shape no bigger than an agate stone
On the forefinger of an alderman..."


Queen Mab as described by Mercutio in
Romeo and Juliet by William Shakespeare
Painting: Queen Mab in the Ruins by James C Christensen



"There are never enough hours in the days of a queen, and her nights have too many."

Cleopatra in the 1963 film of the same name
Pictured: Elizabeth Taylor as the Queen of Egypt


"The silence at last was broken!
We flung wide our prison door.
Ev'ry joyous word of love was spoken.
And now there's twice as much grief,
Twice the strain for us;
Twice the despair,
Twice the pain for us
As we had known before."

Guinevere in Alan Jay Lerner and Frederick Lowe's 1960 musical, Camelot, based on the novel, The Once and Future King by T H White 
Pictured: Julie Andrews in the first Broadway production


"What family doesn't have its ups and downs?"

Eleanor of Aquitaine in 1966 play,
The Lion in Winter by James Goldman  
Pictured: Katherine Hepburn and Peter O'Toole (as King Henry II) in the 1968 film



"Now, a formula to transform my beauty into ugliness. Change my queenly raiment to a peddler's cloak... Mummy dust, to make me old. To shroud my clothes, the black of night. To age my voice, an old hag's cackle. To whiten my hair, a scream of fright. A blast of wind to fan my hate. A thunderbolt to mix it well. Now, begin thy magic spell."

The Wicked Queen in Walt Disney's 1937 film, Snow White and the Seven Dwarfs



"No, no! Sentence first – verdict afterwards."

The Queen of Hearts in  
Alice's Adventures in Wonderland
 by Lewis Carroll, 1864
Illustration: Ralph Streadman, 1972 



"It is not as a woman descended from noble ancestry, but as one of the people that I am avenging lost freedom, my scourged body, the outraged chastity of my daughters. If you weigh well the strength of the armies, and the causes of the war, you will see that in this battle you must conquer or die. This is a woman's resolve; as for men, they may live and be slaves."

Boadicea as described in Tacitus' Annals
Photo: Bronze statue of Boadicea by
Thomas Thornycroft near Westminster Pier, London



 "I forgive you with all my heart. I thank you even. I hope this death shall put an end to all my troubles. For in my end is my beginning."

Mary Stuart I of Scotland in the 1971 film,
Mary, Queen of Scots



"Behold me, lovely as no woman was or is, undying and half-divine; memory haunts me from age to age, and passion leads me by the hand – evil I have done, and from age to age evil shall I do, and sorrow shall I know till my redemption comes."

Ayesha ("She-who-must-be-obeyed") in
She: A History of Adventure 
by H Rider Haggard, 1887
Illustration: Mark Thomas 2007


 
"Many people
Think that 
Marmalade
Is nicer.
Would you like to try a little
Marmalade
Instead?"

The Queen in the poem 'The King's Breakfast' from When We Were Very Young 
by A A Milne, 1924
Illustrations: Ernest H Shepard



"The British Constitution has always been puzzling and always will be."

Queen Elizabeth II
Caricature: Trog