Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Friday, 28 February 2025

THE FIVE-YEAR RIDDELL

 

An astonishing, unprecedented, bravura achievement by the brilliant Chris Riddell.

On 15 December 2019 – realising he was living in, as they say, 'interesting times' – Chris decided he would start chronicling those times with daily political cartoon sketches, week-in-month-out for the next five years. 

 

With the publication this month of FIVE YEARS, Volume 5:  A Sketchbook of Political Drawings, he completes that amazing self-commissioned assignment.

 

The result is further proof (were it needed) of Chris' mastery of penmanship with which to provide a trenchant commentary on the follies, foibles and failings of those aspiring to be the movers and shakers of the national and international political scene. 

 

It's all here: the UK leaving the EU; the Covid pandemic; Boris, Corbyn, Party-gate and Cummings; Global Warming, refugees crossing the Channel in small boats and the invasion of Ukraine; Sleepy Joe, Harry and Megan, Prince Andrew and Pizza Express;, the passing of HM Queen Elizabeth II, Truss outlived by a lettuce and the long-awaited accession of King Charles III; Trump, Sunak and Starmer –– all human life and death, triumphs and disasters as witnessed across five years and 38,369 cartoons.

 

Chris Riddell's FIVE YEARS is a historic document of social importance and enduring record.

 

Tuesday, 1 November 2022

STICKS AND STONES...


What the hell is happening to our language? 

Why are we allowing our communities, society, country, world to be divided not just over our ideologies but in the manner we express our distaste, antipathy, detestation for one another. 

Maybe it is a symptom of our willfully and irrevocably fractured twenty-first century human relationships, but as the UK’s Home Secretary hysterically – and disgracefully – refers to the arrival of immigrants as ‘an invasion’ and perpetuates the dangerous fiction that all immigrants are 'illegal', those who respond to the stench of smouldering hatred are driven to join in the same name-calling language of a playground for grown-up children.

Suella Braverman shouts across the chamber of the House of Commons that her opponents are ‘Guardian-reading, tofu-eating wokerati’ and when, a few days later, she weaponsises the ever-present fear of ‘the stranger’, ‘the outsider’, those who are ‘not like us’ as being comparable to a hostile army, the opposition – by which I don’t just mean ‘His Majesty’s Most Loyal Opposition’, but everyone who doesn’t buy into her grotesque rhetoric – are seemingly left with no adequate response but reciprocal, equally meaningless, label-sticking.

One of our British broadcasters whom I most admire (and whose political stance I admit to sharing) is now referring to those who stamp and cheer at Braverman’s rabble-rousing as the nothing more than response of the ‘gammon and pineapple’ brigade, while one of his colleagues (with whom I am also, more often than not, in agreement) dismisses the fulminations of the Braverman rant as a crowd-pleaser for the grey-haired oldies in the Home Counties’ golf-clubs.

I don’t play golf (although I have putted around a seaside crazy-golf course a couple of times); I do read the Guardian; I’m not quite sure how often I’ve eaten tofu and I certainly haven’t eaten gammon and pineapple for a good few years, although I happily would because I think it’s a tasty combination – just as I enjoy pork-and-applesauce or chicken-and-redcurrant-jelly – but these idiotic disparagements are a poor, simplistic reaction to the current degeneration of our social discourse. ‘Your mum’s an ugly old cow!’ or ‘Your dad’s a stinky old poof!’ are but the prologue to the post-2016 yells of ‘Brexiter’ and ‘Remoaner’ and enthusiastically set the stage for red-faced, factioneers screaming ‘Communist’, ‘Fascist’ and any other incendiary invective that will arm and empower people against other people.

When and how can those of us who want to resist society’s Gadarene stampede to the cliff-edge stop ourselves from embracing this grotesque communal hostility that aids no one other than those who seek further division for their own self-enhancing ends?

What language do we have left with which to speak reason to ignorance and truth to power? Whatever it is we need, we’d better find it and start using it pretty damn soon.

Sunday, 23 October 2022

A THOUGHT FOR OUR TIMES...


On the eve of the first ballot to elect the third leader of the Conservative Party (and, by default, Prime Minister) in just over three months, I offer you a remarkable and decidedly uncomfortable poem by Rudyard Kipling.

 

Published in the London newspaper, Sunday Pictorial, 103 years ago – almost to the very day – on October 26th, 1919, it contained the following startling, but strangely apposite, lines:

 

"...the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool's bandaged finger goes wabbling back to the Fire..."

 

Maybe we should remember that prediction as the coming week unfolds...

 

***

 

Kipling titled his poem ‘The Gods of the Copybook Headings’, referencing a the type of moral and improving catch-phrases – old saws, proverbs and quotations from The Bible (such as the ones in the lines above) and Shakespeare – that were often printed across the top of pages in British schoolchildren’s copybooks in the 19th century, and which students were required to copy-out repeatedly in order to improve their handwriting and to instill the received 'wisdom' of those maxims.

 

Here, in full, is Kipling’s bitter, invective-laden warning…

 

The Gods of the Copybook Headings

 

As I pass through my incarnations in every age and race,

I make my proper prostrations to the Gods of the Market-Place.

Peering through reverent fingers I watch them flourish and fall,

And the Gods of the Copybook Headings, I notice, outlast them all.

 

We were living in trees when they met us. They showed us each in turn

That Water would certainly wet us, as Fire would certainly burn:

But we found them lacking in Uplift, Vision and Breadth of Mind,

So we left them to teach the Gorillas while we followed the March of Mankind.

 

We moved as the Spirit listed. They never altered their pace,

Being neither cloud nor wind-borne like the Gods of the Market Place,

But they always caught up with our progress, and presently word would come

That a tribe had been wiped off its icefield, or the lights had gone out in Rome.

 

With the Hopes that our World is built on they were utterly out of touch.

They denied that the Moon was Stilton; they denied she was even Dutch.

They denied that Wishes were Horses; they denied that a Pig had Wings.

So we worshipped the Gods of the Market Who promised these beautiful things.

 

When the Cambrian measures were forming, They promised perpetual peace.

They swore, if we gave them our weapons, that the wars of the tribes would cease.

But when we disarmed They sold us and delivered us bound to our foe,

And the Gods of the Copybook Headings said: "Stick to the Devil you know."

 

On the first Feminian Sandstones we were promised the Fuller Life

(Which started by loving our neighbour and ended by loving his wife)

Till our women had no more children and the men lost reason and faith,

And the Gods of the Copybook Headings said: "The Wages of Sin is Death."

 

In the Carboniferous Epoch we were promised abundance for all,

By robbing selected Peter to pay for collective Paul;

But, though we had plenty of money, there was nothing our money could buy,

And the Gods of the Copybook Headings said: "If you don't work you die."

 

Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew,

And the hearts of the meanest were humbled and began to believe it was true

That All is not Gold that Glitters, and Two and Two make Four—

And the Gods of the Copybook Headings limped up to explain it once more.

 

As it will be in the future, it was at the birth of Man—

There are only four things certain since Social Progress began:—

That the Dog returns to his Vomit and the Sow returns to her Mire,

And the burnt Fool's bandaged finger goes wabbling back to the Fire;

 

And that after this is accomplished, and the brave new world begins

When all men are paid for existing and no man must pay for his sins,

As surely as Water will wet us, as surely as Fire will burn,

The Gods of the Copybook Headings with terror and slaughter return!


***

Readers interested in the origin of Kipling’s sources for the ‘copybook headings’ (sometimes here – as elsewhere – popularly misquoted) and an analysis and appreciation of the poem, should visit this informative page on the website of The Kipling Society.

Thursday, 23 August 2018

HIGH TIDE

TIME's cover-artist, Tim O'Brien, produced two sequel cover paintings for the magazine: 'Nothing to See Here' and 'Stormy' February 16, 2017 and April 23, 2018)...


Now, the artist returns with a brilliant new and updated variation on his theme for the upcoming September 3, 2018 issue...


Tim O'Brien says: "As the never-ending flood of breaking news washed over the White House, and the firings, the scandals and the general mayhem filled each news cycle, I felt the storm metaphor was as relevant as ever." 


Wednesday, 20 July 2011

TONE DEAF

Good to see that one of our former Prime Ministers is still gainfully employed...

Tony Blair's Other Job

Friday, 18 June 2010

NAUGHTY PICTURES

Wandering round exhibitions can certainly be tiring, but weary culture-vultures at Tate Britain can currently take a breather by sitting on Winston Churchill sitting on Adolf Hitler...

Winnie and Adolf

The Churchill-Hitler seat was designed by Gerald Scarfe for Rude Britannia: British Comic Art which opened at the Tate last week and runs until 5 September. Incidentally, the cigar-smoking, Churchillian bulldog (masquerading as Winnie's frequent companion 'The Black Dog' of depression) was added later to stop unwary visitors from bumping into Adolf's zeich heiling left arm!

Of course, Tate Britain the depository of over five centuries of British art, is no stranger to rudery as can be seen from the shortlist to most Turner Prize shows. But this time it's letting its hair down and having a bit a laugh, albeit often with serious intent, over what many would categorise as ephemera - newspaper cartoons, comics, saucy postcards - interspersed with examples of modern art.


The critics have almost universally complained that there aren't enough chuckles or guffaws and maybe that's true, but the work of masters of the caricature - from Rowlandson (above), Gilray, Hogarth and Cruickshank through to Scrafe, Steadman, Steve Bell and Martin Rowson - are all proof that the pen, when dipped in the vitriolic ink of satire, can be far mightier than the sword.

What the Tate has provided is an opportunity for cartoonists (the aforementioned Scarfe and Bell together with the creators of Viz and the comedian, Harry Hill) to assist in curating an exhibition that is sometimes so disturbing that laughter is impossible as with Peter Kennard and Cat Picton Phillips' Photo-Op...


In truth, much of what is shown here is shocking, but there are also moments to have a chuckle whether it be in the pages of the Beano or in naively provocative paintings by the always delicious Beryl Cook, whose Ladies Night (right) shows a gaggle of giggling, gawping, girls enjoying a raucous night on the town.

Keeping Beryl's ladies company are the cads, curates, old maids and bathing belles peopling the seaside postcards created by that master of sauciness, Donald McGill, whose work during the 1950s was regularly the subject of obscenity prosecutions in holiday resorts the length and breadth of Britain.

A Stick of Rock, Cock?

The day I went to see the show, there were several distinguished visitors looking around...

Gallery-goer (2)

Maybe it wasn't actually her, but she was certainly her 'Spitting Image'! Or, there again, perhaps it was her and that's why strange, blue, prehistoric (or, perhaps, mythological) birds of prey were circling overhead...

Thatcher Harpies

You can hear my full views on Rude Britannia (well, quite a few of them, anyway) when I'll be discussing the exhibition with Claudia Winkleman on BBC Radio 2's Arts Show tonight at around 11:30 pm. The programme will also feature a conversation I had with Gerald Scarfe, one of my all-time cartoon heroes, when we sat awhile on Mr Churchill and Herr Hitler...

Brian and Gerald

Images: Mostly © Brian Sibley and uploaded via my flickr Photostream.

Wednesday, 12 May 2010

RACING RESULTS - LATE NIGHT FINAL!

Two Heads are Better than One?
or
Pantomime Pony?

Scarfe: Strange New Beast?

Parliamentary horse-of-a-different-colour as predicted by © Gerald Scarfe in The Times on 8 May, 2010

Buy Scarfe books and prints

Thursday, 6 May 2010

CROSS REFERENCES

ELECTION DAY
2010


X

If you have the VOTE - USE IT!





Thursday, 1 April 2010

DID YOU FOOL FOR IT?

Trust you didn't get taken in by the extraordinary story in today's Guardian - by that well known correspondent, Olaf Priol - about the new poster strategy to be adopted by labour in the forthcoming General Election...

NEW Labour Party Campaign

You can read the full account of this revisionist style of campaigning here in Labour's election strategy: bring on no-nonsense hard man Gordon Brown and these are a few of the other proposed poster designs...

Hard Man

Pension Thief

Terminator

Gordfather

Mr Brown

If only the next few weeks leading up to May 6th were likely to be as much fun!!

Images uploaded via my flickr Photostream.

Sunday, 10 May 2009

POSTCARDS FROM THE BLUE LAGOON

You might have loved her or loathed her, but the one thing you couldn't ever do was ignore Margaret Thatcher!

The Grocer's Daughter, The Milk Snatcher, The Iron Lady, Attila the Hen - she was a gift to the barbs of the satirists and cartoonists as can be seen from a new exhibition, Maggie! Maggie! Maggie! Margaret Thatcher - Mother of the Nation or Monster from the Blue Lagoon, at London's Cartoon Museum.

On show are many of Thatcher's career-defining moments as defined by the finest (and, sometimes, cruelest) of Britain's political cartoonists who, for over a decade, charted Thatcher's rise and rise and her sudden, meteoric fall.

Co-curated by former minister, Kenneth Baker (who served his term - or should that be sentence? - in the Thatcher administrations), and cartoonist Steve Bell (who saw out the Thatcher years at the drawing board), the show contains cartoons by Cummings, Gibbard, Scarfe, Steadman, Trog and others - that not only depict the life and times of the Lady who was Not for Turning but also chart the ups and downs of national and international life during her eleven years as Premier.

Despite being subtitled Mother of the Nation or Monster ['Creature', surely] from the Blue Lagoon, it has to be said that the cartoons are, by and large, more monstrous than motherly.

In fact, it is fascinating to note the increasing proportion of vitriol to ink with which Thatcher was depicted with, eventually, an almost total disregard for the respect that, once upon a time, would have been shown to the holder of the high office of Prime Minister.

Surely, no previous premier was so viciously portrayed - certainly not Churchill, Macmillan or Wilson and scarcely even Heath - and the lampooning of Thatcher (as in the Scarfe cartoon, right, which is not in the exhibition) established a trend of fearlessness that continue through the grey Major years and into the reigns of Blair and Brown. I doubt that our national leaders have been so outrageously - though, doubtless, justifiably - abused by the artists of Grub Street since the time of Gilray and Cruickshank. Which is a decidedly healthy state of affairs!

Memories - often funny and sometimes tragic - are stirred by these cartoons which (as is always the case with exhibitions at The Cartoon Museum) remind us that this seemingly ephemeral art form is a vital part of the chronicling of our history as well as being great graphic art.

Here are few of those memories...

The return of the 'Snatcher': Margaret Thatcher had earned one of her earliest sobriquets, 'Thatcher the Milk Snatcher' when, as Education Secretary she discontinued free school milk to children over the age of seven. On 11 February 1975, Les Gibbard in The Guardian marked the occasion when Thatcher snatched a real prize: a majority in the ballot to defeat Ted Heath for the leadership of the Tory Party. Loser, Willie Whitelaw, is shown attempting to milk the runaway cow...

Demagogue in waiting: When the Andrew Lloyd Webber/Tim Rice musical Evita opened in London in 1978, the newspaper headlines declared (of Elaine Paige's performance in the title-role) A STAR IS BORN.

Trog
(Wally Fawkes), drawing in The Observer on 25 June 1978, imagined Thatcher dreaming her own dreams of 'stardom'. After seeing Evita, Thatcher wrote to her speech-writer, Ronnie Millar: "If a woman like that can get to the top without any morals, how high could someone get who had one or two."


Bowled OUT!:
At the Lord Mayor's Banquet on 12 November 1990, Margaret Thatcher made a speech in which she compared herself to a batsman: "I am still at the crease though the bowling has been pretty hostile of late. And in case anyone doubted it, I can assure you there will be no ducking the bouncers." The following day, Geoffrey Howe resigned from the Thatcher government saying of the PM's vetoing future involvement over economic and monetary union with Europe that it was "like sending your opening batsman to the crease only for them to find, the moment the first balls were bowled, that their bats have been broken before the game by the team captain." Charles Griffin's cartoon on the front page of the Daily Mirror on 14 November 1990 was accompanied by the headline: HOWE'S THAT!


Final stake-out: After initially endorsing Tony Blair and enjoying tea and tête-à-têtes at Number 10, Thatcher turned on her successor in 2000 calling one of his policies "an act of monumental folly". Blair responded that it was now time to "move British politics beyond the time of Margaret Thatcher." The death knell of their relationship was commemorated on 23 November 2000 by Steve Bell in The Guardian.

And let's not forget the work of Luck and Flaw and the Spitting Image gang...



The exhibition is accompanied by a splendid catalogue (£10.99) which reproduces all the exhibits and contains essays by Messrs Baker and Bell along with cartoonists, Gibbard and Griffen, Michael Foot and the Lords Tebbit, Carrington, Howe, Steel and Owen.

You can visit The Cartoon Museum at 35 Little Russell Street, London WC1A 2HH (Opening times: Tuesday- Saturday 10:30-17:30 Sunday 12:00 - 17:30, closed Mondays including Bank Holiday Mondays) Admission: £4.00 for adults, £3.00 for concessions; Free to Students, under 18s and Friends of The Cartoon Museum

A series of special events will be taking place in connection with the Thatcher exhibition:

Tue 16 June 6.30 – 7.30pm
Margaret Thatcher - A Unique Phenomenon
Kenneth Baker
From 1985 to 1990 Kenneth Baker served as a minister in Margaret Thatcher’s administrations. He is a collector and writer on cartoons and caricatures and co-curator of the exhibition Maggie! Maggie! Maggie!

Tue 23 June 6.30 – 7.30
Where There is Discord: The Mrs Thatcher Show
John Minnion
Caricaturist for The New Statesman throughout those years, John Minnion has put together this entertaining and informative presentation, using caricatures and music to tell the story of the Thatcher years.

Wed 1 July 7 – 8 pm (Note later time)
Maggie – the Monster from the Blue Lagoon?
Steve Bell
The chief political cartoonist on The Guardian since 1990, Steve Bell began drawing Margaret Thatcher in ‘Maggie’s Farm’ (1979-86) and later in ‘If…’. He talks about his three decades of drawing Mrs T.

Booking is essential Tickets £5, Concessions £4, Friends £3
Telephone 0207 580 8155. Email: info@cartoonmuseum.org

You can find more information about this, previous and forthcoming exhibitions, publications and how to become a Friend at The Cartoon Museum website.

Images © Gerald Scarfe, Les Gibbard, Trog, Charles Griffin and Steve Bell

Tuesday, 20 January 2009

"I'M WISHING..."

My bags are packed and, in a couple of hours, I'll be off to the airport. It's certainly an historic day on which to be flying to America!

As everyone knows, today's the day that the 44th US President, Barack Obama, will be inaugurated and will take office with more hopes and expectations riding on his shoulders than is, I think, altogether reasonable.

In his Presidential acceptance speech - a tour de force of oratory that was all the more powerful for having followed the ineptitudes of the last incumbent of the White House - Obama said: "Tonight, because of what we did on this day, in this election, at this moment, change has come to America..."

It was, of course, what America - and the world - wanted to hear; and, inevitably, it will be tempting to remember that quote divorced from the caveat that immediately followed: "The road ahead will be long, our climb will be steep. We may not get there in one year, or even in one term - but America, I have never been more hopeful than I am tonight that we will get there."

Wherever "there" is (if, indeed, it is anywhere), one cannot cavil with the sentiment - merely trust that it will be a good long time before disappointment and disillusionment set in; long enough, perhaps, for the beginnings of that promised change...

Meanwhile, as everyone will be focusing on Washington, I'll be in New York, filming an interview for the 'extras' on the forthcoming BluRay DVD of Walt Disney's first full length feature film, Snow White and the Seven Dwarfs.

Released in 1937, it was a film that emerged from a depression era even more desperate and devastating than the one that now besets America and the world...

On the wall above my desk, as I write, is a Snow White clock, the face of which is inscribed by the late Adriana Caselotti who was the voice of Disney's heroine.



Miss Caselotti gave me this unique souvenir, twenty years ago, on one of several visits to her Hollywood home which, I am happy to inform you, had a wishing well in the front yard!

"I wish you," she wrote, "a continued beautiful and successful life."

Which seems like something we all ought to be wishing one another on this day of hopes and dreams...

Images: Caricature of Barack Obama by Bob Staake.

Thursday, 14 August 2008

BLUNDERING ON

Being in Greece - the birthplace of democracy - set me thinking about people who have sought to challenge (and change) our perception of collective human responsibility.

Shortly before the assassination, in 1948, of India's one-time spiritual and political leader, Mohandas Karamchand Gandhi, the old man gave the his grandson, Arun Gandhi, a piece of paper on which he had written down what he considered the Seven Blunders of the World:

Wealth without work

Pleasure without conscience

Knowledge without character

Commerce without morality

Science without humanity

Worship without sacrifice

Politics without principle


Arun Gandhi later added an eighth blunder to his grandfather's list:

Rights without responsibilities

Sixty years on, it seems, many of those blunders are still being made...

Thursday, 10 July 2008

ENTICEMINTS

As you can see, I'm still in Wonderland...


These 'Eat-Mes' are from the same people responsible for those Freudian Slippers I recently posted about.

Even if you're not easily enchanted, you may find some other mints to suit your political or religious persuasions...









Sunday, 22 June 2008

MR SIBLEY GOES TO WASHINGTON

Now that Hilary Clinton has finally bowed out of the race for the Democratic candidacy in this year's US Presidential Election, I can reveal that America does still have a choice other than Barack Obama or John McCain.

This recent telecast will explain...



Thanks to my Campaign Manager, Mandy Davis, aka Diva of Deception.