Thursday, 8 April 2010

REVIEW REVIEWED

My last blog post, about Clash of the Titans, was rather pleasingly received: my friend Richard Kaufman (editor of the magic magazine, Genii) quoted it on his Facebook page as "a partial haiku":

"The kraken wakes.
The audience sleeps."
The blog reader smiles. :)

And Maxine - she of the highly literary Petrona website - was kind enough to leave a comment describing my mini-critique as * blush * "The best film review I've ever read. Brilliant!"

Very kind, I'm sure; but not a patch, I think, on my all-time favourite film review, written by C A Lejeune, The Observer's long-serving movie critic, who succinctly dismissed the 1947 June Haver picture,

I Wonder Who's Kissing
Her Now


in just four devastating words...

"I couldn't care less."

Now, that is brilliant!

Wednesday, 7 April 2010

THE SOUL OF INDIA

90th Birthday Greetings to

RAVI SHANKAR


Without doubt, Ravi Shankar is the most celebrated performer of Indian music and his collaborations with George Harrison, Yehudi Menuhin, Philip Glass and others brought him and his music to a world-wide audience.

To celebrate his birthday, here are two magic moments from Shankar's career as a film composer: firstly a scene from the third film in Satyajit Ray's brilliant epic portrayal of Indian life, The Apu Trilogy - Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished) and Apur Sansar (The World of Apu) - made between 1955 and 1959...



And, following Shankar's discovery by the Beatles (or, perhaps, vice versa!) and the first rush of international acclaim, here are the opening minutes of Jonathan Miller's 1966 TV play Alice in Wonderland (yes, I do know I keep going on and on about that film!) with a score performed by the composer and oboist, Leon Goosens...




Monday, 5 April 2010

CLASH: VERDICT!

Just back from the cinema and here's my review of Clash of the Titans:

The kraken wakes.
The audience sleeps.



Quote:
"There is still a demi-god in Argos." *

* (Batteries not included)

CLASH, BANG, WALLOP!

Today's Bank Holiday outing is...

THE CLASH OF THE TITANS!

The awesome million-dollar might of Warner Bros' 21st century digital effects in 3D...


Versus

My memories of the stop-motion genius of Ray Harryhausen & Co back in 1981
(younger readers start here)...



Who will emerge victorious?

Will there be any contest?


Sunday, 4 April 2010

HALLELUJAH!

Resurrection

EASTER DAY and in celebration of this ancient, holy, festival, here is the glorious 'Hallelujah Chorus' from George Frederick Handel's Messiah, as performed on Andre Rieu's Live From Radio City Music Hall in New York City in 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.

Hallelujah Choruses don't get much more triumphalist than this...




wishing you a happy

EASTERTIDE

Tuscan Sunrise


Images: Brian Sibley © 2010, uploaded via my flickr Photostream.

Saturday, 3 April 2010

WHO'S BACK?

WHO?

Why, DOCTOR Who, of course...

A new series of the legendary TV series begins tonight (BBC One 6:20 pm) with the time-travelling Doctor sporting his latest - and eleventh - physical embodiment in the person of Matt Smith...


How appropriate, bearing in mind the Doctor's celebrated anonymity, that he should, at long last, be played by a man named Smith!

And in case you've forgotten any of Mr Smith's predecessors, I found this tribute on YouTube as a reminder of Who Was Who --- well, at least, all of the legitimate ones because, as all Who-fanatics know, there were also one or two locum doctors such as those who stood in for deceased actors, took on the part for spoof versions or, in the case of Peter Cushing, portrayed the Doctor on the film.

So, with that caveat, here (courtesy of YouTuber, Brian Rimmer) is the Doctor Who first eleven...



I won't pretend that I've been a constant fan and devoted follower of Doctor Who throughout his 47 year-long regeneration process, but I've always checked out each new incarnation of the Doctor if, for no other reason, because of a sentimental attachment to my youthful memories of where it all began...

To be honest, I've never quite got over the fact that I missed the very first appearance of Doctor Who on our black and white telly or the fact that, whenever I mention this, David reminds me that he was watching!

It was teatime - 5:15 in the afternoon of 23 November 1963 (the day after the assassination in Dallas of President John F Kennedy) - when the BBC transmitted episode one of 'An Unearthly Child' with William Hartnell as the enigmatic Doctor.


Come Monday morning, everyone at school was talking about this amazing new TV show about a Time Lord zapping through time and space in a machine called a TARDIS that was disguised as a then commonplace piece of British street furniture - a police telephone box.

The following Saturday, I was on the sofa (I was already too old to be hiding behind it!) ready to watch the next episode and - wonder of wonders! - in response to a phenomenal public reaction to the series' debut and the fact that other hapless youngsters had missed the beginning, the BBC preceded the second episode with a repeat of the first! Brilliant! I was hooked...

It's a truism (but true for all that!) that everyone's favourite Doctor is the one they watched when they were growing up. For me it was first and foremost, the irascible, grandfatherly William Hartnell followed by the quirkily eccentric Patrick Troughton and how utterly, fantastically exciting it was, back then, when one became the other!

Here's the fan picture I wrote for at the time...

Ther Second Doctor
I remained a fairly consistent devotee through the Jon Pertwee and Tom Baker years (two more highly idiosyncratic characterizations) and I quite enjoyed Peter Davison's sojourn as the first really young Doctor although, following on from his appearances in All Creatures Great and Small, I could never quite stop thinking that this doctor was actually only a vet!

Sad to say, I pretty much gave up and lost hope when Colin Baker took over; although I gave Sylvester McCoy a go and still think her deserves credit for trying (against overwhelming odds) to give Who back something of what he had once been.

I was, frankly, optimistic (wrongly so, as it turned out) when Paul McGann made his brief, but quite impressive, foray in the role and - after almost a decade of being lost in space - was engaged by Christopher Eccleston's energised portrayal, despite having quite a few issues with Producer/Writer Russell T Davies' re-birthing of the series.

Davies undeniably rejuvenated Who's popularity with all those spin-offs and, in casting David Tennant as the Tenth Doctor at least ensured the continuation of the character's mercurial personality. Here are those Top Ten Whos as seen by the talented Jon Pinto...

The Ten Doctors by Jon Pinto

Now, as the the Brigadier once famously said, "Here we go again..."

The creative reigns have passed to Steven Moffat, a dedicated Who-fan (and, arguably the man responsible for some of the best of the recent Who scripts), with the mantle of William Hartnell now falling on the slight shoulders of Matt Smith as the eleventh Doctor...



Of course, you all spotted the moment of homage...

Yes, well that's more than enough to get an old Whoster like me, tuning in, I can tell you!

And, look, here's further proof of my loyalty...

The First Doctor

And you can find out What's What on the Doctor Who - The Official Site

Images uploaded via my flickr Photostream.

***

By the way, just before 12:30 am this morning, the hit counter on my blog reached a pleasingly configured number...


Thanks for reading all those pages, folks!

Friday, 2 April 2010

DIVINE DREAMER

GOOD FRIDAY

We recently went to the Courtauld Gallery to see Michaelangelo's Dream an exhibition centered on Michelangelo Buonarroti’s masterpiece, The Dream, regarded as one of the greatest of all Renaissance drawings.

This complex work shows a nude youth being roused by a winged spirit from the vices that surround him...

The Dream
The Dream is thought to have been part of the celebrated group of drawings which Michelangelo made as gifts for Tommaso de' Cavalieri, a young Roman nobleman with whom he had fallen passionately in love.

With loans from international collections, the exhibition unites The Dream for the first time with these extraordinary drawings which include a range of subject material from the pagan to the sacred, including The Fall of Phaeton, the son of Helios the sun god (who was destroyed by a thunderbolt from Zeus for taking the chariot of the sun dangerously near the Earth) and The Rape of Ganymede, in which a similarly muscular youth to the one in The Dream is ravished by Jupiter in the form of an eagle...

The Rape of Ganymede
Also on show are a number of sketches for a portrayal of The Risen Christ...

The Risen Christ
Talk of Michaelangelo brings me, on this Good Friday, to another of his masterpieces, his Pietà...


Sculpted in 1499 and now housed in St Peter's Basilica, Vatican City, the work depicts the dead Christ, following his crucifixion, lying in the lap of his mother.

I find it amazing that an artist whose hands created such delicate artistry as the drawings shown above was, at the same time, capable of the the physical labour of liberating with chisel and mallet such a vivid image of poignancy hidden within the bulk of a vast chunk of marble.

There are many fascinating aspects to this sculpture which is so iconic that we almost fail to see it as it must have appeared to the first people to view it, not least the fact that the practical difficulty of presenting a female figure cradling the body of a full grown man means that the figure of Christ is sculpted to a different scale to that of the figure of his mother.

Also much discussed has been the Madonna's youthful appearance, for which a number of explanations - some theological, some literary - have been offered. One of the more fanciful - though unquestionably poetic - is that the sculpture creates an impression in the viewer's mind of a very different image: that of a nativity scene with Mary holding Jesus as a baby. So, it is suggested, Mary's youthfulness and her serene (and apparently unagonised) facial expression, coupled with the position of the arms suggest that she is seeing the once newborn child in the body of the now dead man...



Among Michelangelo's sculptures, the Pietà is unique because it is only one he ever signed - not when he carved it, but later on hearing that some of those who saw it thought it had been sculpted by one of his competitors.

Michaelangelo's Dream continues until 18 May at The Courtauld Gallery, Somerset House, Strand, London, WC2R 0RN

Hours: Daily 10:00–18:00 (last admission 17:30)
Late Opening: Thursday 14 May: until 21:00
Admission: £5 (Adults) £4 (Concessions)

Photo of Michaelangelo's Pietà by Ralph46 of PBase.com. Other images uploaded via my flickr Photostream.

Thursday, 1 April 2010

DID YOU FOOL FOR IT?

Trust you didn't get taken in by the extraordinary story in today's Guardian - by that well known correspondent, Olaf Priol - about the new poster strategy to be adopted by labour in the forthcoming General Election...

NEW Labour Party Campaign

You can read the full account of this revisionist style of campaigning here in Labour's election strategy: bring on no-nonsense hard man Gordon Brown and these are a few of the other proposed poster designs...

Hard Man

Pension Thief

Terminator

Gordfather

Mr Brown

If only the next few weeks leading up to May 6th were likely to be as much fun!!

Images uploaded via my flickr Photostream.

FOOLING OVER

Yes, it's gone midday, and (to quote Master Nigel Molesworth) "as any fule kno" April Fool's Day fooling is now officially OVER!

And - in case you wondered from my earlier post - here's how things ended up at St Trinian's later that day...

Midday: "She who laughs last, Dobson, would appear to laugh louder than anyone else."
Midday: "She who laughs last, Dobson,
would appear to laugh louder than anyone else!"



Cartoon © by Ronald Searle, 1948, from The Female Approach, with masculine sidelights uploaded via my flickr Photostream.

SKULE FOR FULES

Being still very much in Ronald-Searle-appreciation-mode on account of the fact that I'm currently preparing my talk for The Cartoon Museum on Searle as an illustrator (Wednesday 28 April at 6:30, see side-bar, right for details, come if you can), I decided to turn to Mr S for an appropriate posting for today which is, of course---

April 1st

ALL FOOLS DAY!

Here's how they marked this day in that noble establishment for the education of the fairer sex, St Trinian's...

All Fools Day (at St Trinian's)

"Bless my soul! Prunella!"
"Bless my soul! Prunella!"


"I'll give her practical science."
"I'll give her practical science."


"Yah! April fo-ol!"
"Yah! April Fo-ol!"


"Come in, Miss Tonks, I'm reading."
"Come in, Miss Tonks, I'm reading."


Cartoons © by Ronald Searle, 1948, from The Female Approach, with masculine sidelights uploaded via my flickr Photostream.