It was with great sadness that heard of the death of a long time (some 30+ years) Disney friend, Marty Sklar. Rightly known as Walt's 'right-hand man', he wrote the first book about 'Disneyland' and worked with the Boss on speeches and many important projects including writing the script for the promotional film that introduced the world to Walt's concept of an Experimental Prototype Community of Tomorrow, shown a matter of weeks before his death in 1966. His role in expanding the Disney theme park franchise from its Anaheim origins to the four corners of the world, is a legendary legacy.
I
had the great pleasure to work with Marty on a number of BBC radio
programmes about Walt Disney and the Disney company and he provided the
title – ‘Waltopia' – for a BBC TV documentary I made in 1982 on the
creation of what was by then called EPCOT Center. During my interview with Marty, he recalled how, on first hearing of Walt's plans for a futuristic city, he had quipped: "You know, Walt, I've got the perfect name for your project – Waltopia!" Not only did Marty supply the show's title, he was the
film’s opening and closing contributor with a number of appearances in
between!
And
when my producer Norman Stone and I went out to join the press
contingent covering the opening of EPCOT, it was Marty who ensured that
on the night before the opening day ceremonies – while the rest of the
press corps were being entertained at Rosie O'Grady's nightclub in
downtown Orlando – Norman and I had invitations to the exclusive
black-tie party for the dedication of the park's iconic attraction,
Spaceship Earth.
I
have many fond memories of Marty, but one that I especially
hold dear was being invited to the opening of the French Pavilion at
EPCOT's World Showcase. During the ceremony, Marty spotted me seated on
the elegant gilt chairs arranged outside the pavilion. He took
something from his pocket, wrote on it and then, catching the attention
of a cast member, indicted that it should be delivered to me. It was
one of his business cards on which he had written: "Brian! This is some
sort of Utopia where a Brit gets invited to the opening of France in
America! Marty."
I
had first become aware of the name 'Martin A. Sklar’ many years earlier
when, as a young Disney fan living in the UK (without any hope of ever
making it to California), I was given a copy of his book on Disneyland,
brought back for me by some rich friends! Years later, when I realised
that the author, 'Martin A. Sklar', was the same 'Marty' I had got to
know at (as it then was) WED Imagineering, I carried it all the way to
LA in order to get it signed!
Marty
was one of the great unsung heroes of the Disney kingdom and I – like
many others I am sure – came to value his insights into Walt and his
world along with his integrity, candour, quite authority and personal
modesty. More than that, I treasured the relationship I enjoyed, across a
number of years with him: his friendship (much more than just
professional courtesy) meant a great deal to me and I fondly salute his
memory.
Here's a typical note from Marty: a truly gracious gentleman of great charm...
Here's a typical note from Marty: a truly gracious gentleman of great charm...
From Deadline Hollywood
Marty Sklar, the man who supervised the design and construction of Tokyo Disneyland, the Disney-MGM Studios, Disneyland Paris and other theme park attractions, has died at his home, Disney said tonight. He was 83.
Having
started as an intern for Walt Disney, Sklar finished his 54-year career
at Disney as the International Ambassador for Walt Disney Imagineering.
That role meant traveling to art and design colleges and architecture
schools to lecture and attract talent.
During
his career, Sklar worked closely with Walt Disney and was instrumental
in creating, enhancing and expanding Disney’s creative vision. Sklar was
named a Disney Legend in 2001.
“Everything
about Marty was legendary – his achievements, his spirit, his career,”
said Bob Iger, Chairman and CEO of the Walt Disney Company. “He embodied
the very best of Disney, from his bold originality to his joyful
optimism and relentless drive for excellence. He was also a powerful
connection to Walt himself. No one was more passionate about Disney than
Marty and we’ll miss his enthusiasm, his grace, and his indomitable
spirit.”
Born
on February 6, 1934, in New Brunswick, NJ, Sklar was a student at UCLA
and editor of its Daily Bruin newspaper when he was recruited to create The Disneyland News
for Walt Disney’s new theme park in 1955. After graduating in 1956, he
joined Disney full time and would go on to serve as Walt’s right-hand
man — scripting speeches, marketing materials and creating a film
showcasing Walt’s vision for Walt Disney World and Epcot, according to
Disney.
During
this period, he also joined WED Enterprises, the forerunner of Walt
Disney Imagineering, and later would become the creative leader of
Imagineering, leading the development of Disney theme parks and
attractions for the next three decades. He retired as EVP and
Imagineering Ambassador on July 17, 2009, Disneyland’s 54th birthday.
Disney marked the occasion by paying tribute to Marty with the highest
Parks and Resorts recognition, dedicating a window in his name on
Disneyland’s City Hall.
“Marty
left an indelible mark on Disney Parks around the globe and on all of
the guests who make memories every day with us,” said Bob Chapek,
Chairman of Walt Disney Parks and Resorts. “He was one of the few people
that was fortunate to attend the opening of every single Disney park in
the world, from Anaheim in 1955 to Shanghai just last year. We will
dearly miss Marty’s passion, skill and imaginative spark that inspired
generations of Cast, Crew and Imagineers.”
He also authored books about Disney including Dream It! Do It!: My Half-Century Creating Disney’s Magic Kingdoms (2013), and One Little Spark!: Mickey’s Ten Commandments and The Road to Imagineering (2015).
Skalr
is survived by his wife of 60 years, Leah; son Howard and his wife,
Katriina Koski-Sklar; grandchildren Gabriel and Hannah; daughter Leslie;
and grandchildren Rachel and Jacob. In lieu of flowers, the family
requests that donations be made in Marty’s name to Ryman Arts.