Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Monday, 4 August 2025

This curious building is a raised granary, or 'hórreo', in the northern Spanish town of Avilés, which we recently visited. Among the most characteristic buildings in the region the 'hórreo asturiano' was usually square and built of wood, its most striking feature being that each wooden piece perfectly fits with the next without the need for screws, bolts or clamps.


The 'hórreo' is supported by four characteristic 'pegollos' or pillars made from wood or limestone, and was a safe storehouse providing the Asturian farmer, with an answer to a disagreeable climate by providing a relatively simple solution for protecting the harvest from the region’s characteristically damp weather. This elevated building would hold food for the year, corn for livestock and grain for next year’s crop, keeping it safe from fungi, rodents and bugs. Between each pillar and the wooden base of the granary is a flat circular or square stone called a 'muela' that prevents vermin from getting inside. Today it is common for the supporting pillars to sit on concrete bases.

The Principality of Asturias is thought to have around 20,000 'hórreos' usually sitting next to rural houses across the region. Although the 'hórreo' in Avilés now sits in an urban setting, close to houses, restaurants, bars and other buildings, it would have once been on the outskirts of the town among fields and orchards. The survival of Avilés' 'hórreo' is due to region’s respect for its heritage and a nostalgia for the concept of rural Arcadias.

 

[For the above information I am indebted to my friend, Jose Maria Miranda Boto and this post on 'Barceló Experiences': https://www.barcelo.com/guia-turismo/en/spain/asturias/things-to-do/granaries-asturias/ ]

 

[Photo: David Weeks]


Friday, 12 February 2010

SPEND A PRETTY PENNY

Today, we're off to the loo again!

Sheila recently alerted me to another Mondrianesque convenience, this time in KawaKawa, Bay of Islands, New Zealand...


The decision to ignore the formality and rigidity of Mondrian's grid-locked art is a clue to the fact that this is the work of the free-thinking, free-wheeling, Austrian artist and architect, Friedensreich Hundertwasser (1928-2000) who - with a wonderful disregard for the usefulness of spirit-level and plumb-line - created some of the world's most fantastical buildings.

Move over Gaudi! These are something else...












Here's more information about...

The KawaKawa Public Toilets

Hundertwasser life and career

Hundertwasser's work
(Click on 'The Oeuvre' for his architecture)

Saturday, 18 July 2009

FAITH AND FIREWORKS

When you are reading this, we will be in our beloved Venice, partly to celebrate (or to try and forget) the arrival of the Big Six-O and - more importantly - to be there for what is one of the City's great annual festivals - Festa del Redentore.

Held on the third Saturday and Sunday of July, the Festa del Redentore began as a religious thanksgiving feast marking the end of the terrible plague of 1575-6, that killed 46,000 people - 25-30% of the city's population. Among those who died as the sickness swept through the narrow, huddled streets and waterways, was the great Venetian painter, Titian.

On 4 September 1576, the Senate decided that the Doge - Alvise Mocenigo II - should announce that the people of Venice would vow to erect a church dedicated to the Redentore (Redeemer), in return for help in ending the plague.

Andrea Palladio was commissioned to design a magnificent church on the waterfront of the Canale della Giudecca, one of the Venice islands.

Palladio's Redentore

Construction on the Chiesa Santissimo Redentore (Church of the Most Holy Redeemer) was begun in May 1577. After the foundation stone had been laid, a small temporary wooden church was built along with a temporary bridge erected on barges across the Canale, so that the Doge - by this time Sebastian Venier - could make a pilgrimage to the site.

Every year, on the anniversary of the end of the plague, a pontoon bridge is constructed and the same pilgrimage is made...

Click image to enlarge

Palladio's beautiful building - one of the finest examples of what is known as 'Palladian architecture' - was finally consecrated in 1592, twelve years after the death of its architect.

Tonight, as every year, the St Mark's Basin will be teeming with a variety of boats and craft as the people of Venice take to the water to await the traditional grand firework display that, for best part of an hour, will fill the skies with gorgeous eruptions of light and colour reflected in the mirror of the lagoon.

After the last rocket has soared, burst and died, the young people will make their way to the Lido to sit on the beach and await the sunrise over the Adriatic. Then the faithful will follow in the footsteps of Doge Venier and cross the pontoon bridge to make their religious devotions at this historic church.

As whenever we visit Venice, this will be another opportunity to, briefly, inhabit the pages of a this extraordinary living history book.

Salute at Sunset

Visit my flickr albums collection Visions of Venice, for more portraits of this unforgettable city and its people.

Some of those photographs will also be found on the website of of our Venice residence - Hotel Ala.

Other images: Paper sculpture of Palladio's Church of the Holy Redeemer by Ellen Rixford Studio for Gucci's Italian Geniuses series. The ghost of Andrea Palladio draws up the plans for his Venetian masterpiece, paper sculpture about 4 1/2' tall. Panorama by Roger Howard.


Monday, 27 April 2009

LARKITECTURE

We've been making a bit of a habit lately of going to exhibitions on the last day of exhibiting. The most recent example of this cultural brinkmanship was Andrea Palladio: His Life and Legacy at the Royal Academy.

Palladio (1508–1580) was one of the greatest Italian architects whose work has continued to resonate down five centuries and whose name lives on in the architectural term, 'Palladian'.

Working in Vicenza, Venice and the Veneto region, Palladio (depicted, above, by El Greco) designed churches, palaces, villas and public buildings, crafting what has been described as "a new architectural language" based on classical Greek and Roman sources but adapted to meet the functional demands and aesthetic aspirations of his own age.

Among the buildings discussed in the exhibition, and represented by paintings and architectural models, were his unbuilt design for Venice's Rialto Bridge and two of the city's most famous churches: Chiesa del Santissimo Redentore (Church of the Most Holy Redeemer) built in thanksgiving for deliverance from the plague of 1575-6, in which some 46,000 people died...


...and the Church of San Giorgio Maggiore which is situated on an island immediately facing the Piazetta, thus providing the classic backdrop for a zillion photo-opportunities...


Even if you've never visited Venice, you will have been exposed to Palladio's art because the architectural rules that he laid down were later followed in the design of thousands of buildings all over Europe.

Anyway, when we visited the adjacent Byzantium exhibition with our friends Roger and Sheila the other month, we began toying with the thought that Palladio - pronounced 'Pa-lad-io' would provide a challenging name for a limerick writer.

Sheila was first off the mark...

There was a young man called Palladio
Who built a house near the Limpopo
Upon its completion
It looked very Grecian
But the hippos had wanted Rococo.

There was a young man called Palladio
Who listened to sport on the radio.
When his team won the cup
He always jumped up
And ran round shouting 'ee-ay-addio'.

Since when, David and I have added a few of our own...

There was a young man named Palladio
Whose buildings became quite a fadio
Each column and pediment
Expressed what he said-'e-meant
But were over the top by a tadio.

There was a young man named Palladio
Whose hats were a bit of a fadio,
He invented a kitfer
Constructing a titfer
Which drove all the milliners madio.

There was a young man named Palladio
Who behaved like a terrible cadio
The girls of Venezia
Soon had regretzia
And their offspring were calling him 'Dadio'.

The architect Signor Palladio
Built a really sumptuous padio
But the elaborate loggia
With its northern exposure
Was deemed by the critics as badio.

Any further offerings will - possibly - be much appreciated!


Image of San Giorgio Maggiore © Brian Sibley, 2009