So what is it all about...?
Any regular reader of this blog will know that I have a number of favourite illustrators – some of whom I am proud to call my friends. One such is
John Vernon Lord (left: self-portrait, aged 22), a prolific illustrator who (like several of my favourite illustrators, past and present) has an astonishing capacity for creating pictures of the most amazing detail and complexity...
Over the years, John has used his unique gift for pen-craft to embellish an eclectic slice of literature from Aesop's fables, the Icelandic sagas and the Arthurian legends sagas to the nonsense worlds of Edward Lear and Lewis Carroll...
...not to mention his classic children's book,
The Giant Jam Sandwich, which has been in print now for over forty years...
April and May 2014 are turning into a positive John Vernon Ward-fest as two new books hit the bookshops.
Last month saw the publication of
Drawn to Drawing, an elegantly produced volume containing a wealth of previously unpublished material
from the artist's sketchbooks and diaries, along with memoirs from Lord himself.
This essential chapter in the history of twentieth (and twenty-first!) century illustration
offers an insight into the life and working practices of a master
draughtsman is, as the publisher declares (without risk of being charged with hyperbole), "a must for any illustration fan". As you can see here...
The singular delight of this collection are the reproduction pages from John's notebooks and diaries that he fills with microscopically detailed sketches and doodles that demonstrate the discipline and penmanship of the miniaturist. You can see here just how small these consummate creations are...
And here are a few of those pages to marvel at...
Drawn to Drawing has an introduction by Posy Simmonds who writes: “[John Vernon Lord] draws words and writes pictures. He is a draughtsman of
philosophical reflection… He is not the only illustrator
who works from black line, but he is one of the few who uses it with
such virtuosity..."
The book also contains a tribute from Raymond (The Snowman) Briggs and (I am proud and honoured to say) myself. I can't express my admiration for John better than I expressed in the pages of this book...
A book of drawing by John Vernon Lord is more than just the
work of a master draughtsman, it is house filled with windows onto worlds where
the commonplace becomes suddenly extraordinary and the bizarre and the
inexplicable seem surprisingly familiar
An artist of impeccable skill, he can create pen and ink designs
filling the page with a staggering complexity of detail that recall the
engraver’s craft or, by turn, execute elaborate dances of form and space that
reveal him as a supreme choreographer of the drawing board that is his stage.
You can order a copy of
Drawn to Drawing here
Copies can also be purchased from
The Illustration Cupboard, where original art and signed books by John Vernon Lord – and many other illustrators – can be viewed and bought. For details click
here
One of John's illustrations exhibited at The Illustration Cupboard is for James Joyce's Ulysses...
...which conveniently leads to mention John's latest illustrative project a new edition of James Joyce's Finnegan's Wake, published by The Folio Society and launched this evening at a meeting of
Imaginative Book Illustration Society to be held at the Art Workers' Guild in London.
Finnegan's Wake, which took the author seventeen years to complete, is full of puzzles and paradoxes, tricks and deceits, illusions and allusions. Which is why John set himself to understand the depths of this demanding text and to then embody in his illustrations cues and clues to Joyce's narrative.
Here are some examples of John's stunning visual interpretation...
You can read more about John Vernon Lord's illustrations to James Joyce's
Finnegan's Wake here, and you'll find lots of examples of John's illustrative work regularly posted on his
blogspot
And I'll end this long – but, I hope you'll agree, amazingly illustrated – post with a photo of John and I, last year, signing copies of our books to one another...
We all have our favourite films, some of us also have favourite directors: Hitchcock, perhaps, Lean, Spielberg, Ridley Scott or the Cohen Bros.
